Ansley Dunbar does stories.
HELLO
I’m Ansley.

Narrative HIFI is a way to illustrate the differential place I stand within the field of creative production; an angle to give a greater sense of the perspective I bring to the table.

My work is rooted by a simple goal; to saturate what is digital with what is uniquely human.

I’m magnetically drawn to the complexity of digital narrative because it’s so modular, stackable, malleable. If it holds potential as a vehicle for narrative, I’m there.

Be it an elision from a current project or exploring new fields entirely, I’m always searching for the ways in which everything is connected, for new directions to extend what I do best: stories.

In our long tradition of storytelling, we’re about to drop a new point on the timeline. Sharing a story through a handful of established formats, for a set duration, is about to get outdated, real fast. And come on man, isn’t that exciting?

Looking forward, I’m genuinely stoked about harnessing this modular approach to narrative design, to collaborate at the forefront of digital storytelling as these new advancements come down the technological pipeline.

What I can do for you;

film & video
  • editing; colour grading
  • production design
  • cinematography; I shoot on Blackmagic with a solid equipment set ready to go
music
  • composition; arrangement
  • sound design; audio synthesis
  • production mixes; mastering
writing
  • fiction: screenplays and scripting; short and micro-short stories; humbly, anything in between
  • not fiction: investigative research; in-depth reporting